"Sept mélodies, Op. 2: VI. Hébé" by Ernest Chausson, Véronique Gens, Susan Manoff was released on October 16, 2015. The duration of Sept mélodies, Op. 2: VI. Hébé is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Sept mélodies, Op. 2: VI. Hébé's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Néère". In this album, this song's track order is #11. Sept mélodies, Op. 2: VI. Hébé is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sept mélodies, Op. 2: VI. Hébé by Ernest Chausson, Véronique Gens, Susan Manoff having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amadis, LWV 63: Air "Toi qui dans ce tombeau" | Jean-Baptiste Lully, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | E♭ Major | 2 | 5B | 174 BPM | ||
Philidor: Les Amazones: "Venez, troupe guerrière" - "Puisque tout est tranquille" - "Combattons, courrons à la gloire" (Thalestris, Hippolyte) | Andre Danican Philidor, Lea Desandre, Jupiter, Véronique Gens, Thomas Dunford | C Minor | 3 | 5A | 175 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Choeur, "Ah! dans ce bois tranquille et sombre" (Nymphes, Bergers, Orphée) | Christoph Willibald Gluck, Monteverdi Choir/Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | C Minor | 0 | 5A | 69 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | ||
Rossi / Arr. Pluhar: "Se dolente e flebil cetra" | Luigi Rossi, Christina Pluhar, Véronique Gens | E Major | 0 | 12B | 108 BPM | ||
Myrthen, Op. 25: No. 24. Du bist wie eine Blume | Robert Schumann, Margaret Price, James Lockhart | A♭ Major | 0 | 4B | 132 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: III. Sur les lagunes, H 84b | Hector Berlioz, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | C Minor | 0 | 5A | 63 BPM | ||
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "D'amour l'ardente flamme" (Marguerite) | Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg | F Major | 0 | 7B | 73 BPM | ||
Elgar: Sea Pictures, Op. 37: IV. Where Corals Lie, "The deeps have music" (Allegretto ma non troppo) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | B Minor | 1 | 10A | 66 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM |
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