"Berlioz: Les Nuits d'été, Op. 7, H 81b: III. Sur les lagunes, H 84b" by Hector Berlioz, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon was released on November 15, 2000. With this song being about 5 minutes long, at 5:20, "Berlioz: Les Nuits d'été, Op. 7, H 81b: III. Sur les lagunes, H 84b" by Hector Berlioz, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 10 in Berlioz: Les Nuits d'été by Hector Berlioz, Véronique Gens, Louis Langrée, Orchestre De L'Opéra National De Lyon. Berlioz: Les Nuits d'été, Op. 7, H 81b: III. Sur les lagunes, H 84b is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: Les Nuits d'été, Op. 7, H 81b: III. Sur les lagunes, H 84b by Hector Berlioz, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
Un mari à la porte: Valse Tyrolienne | Jacques Offenbach, Sumi Jo, English Chamber Orchestra, Richard Bonynge | C Minor | 0 | 5A | 131 BPM | ||
Ariadne auf Naxos, Op. 60, TrV 228: "Es gibt ein Reich" | Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | B♭ Major | 1 | 6B | 77 BPM | ||
Lohengrin, WWV 75 / Act 3: In fernem Land, unnahbar euren Schritten | Richard Wagner, James King, Karl Ridderbusch, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Bavarian Radio Chorus, Heinz Mende | E♭ Major | 4 | 5B | 124 BPM | ||
Sea Pictures, Op. 37: No. 4, Where Corals Lie | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | G Minor | 1 | 6A | 135 BPM | ||
Thomas: Hamlet, Act 4: "À vos jeux, mes amis" (Ophélie) | Ambroise Thomas, Sabine Devieilhe, François-Xavier Roth, Les Siècles | E Minor | 1 | 9A | 179 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM | ||
The Damnation of Faust, Op. 24, H. 111, Scene 6: 'À boire encor!' - Live | Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Christopher Purves, Jonathan Lemalu | D♭ Major | 1 | 3B | 118 BPM | ||
Petite messe solennelle: Qui tollis | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva, Delphine Galou | D♭ Major | 1 | 3B | 75 BPM |
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