"Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?"" by Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti was released on January 1, 1970. Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in Christoph Willibald Gluck, Marilyn Horne, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti's "Gluck: Orfeo ed Euridice" album is number 10 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" by Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
Lucia di Lammermoor / Act 1: Preludio - "Percorrete le spiaggie vicine" | Gaetano Donizetti, Pier Francesco Poli, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | ||
Orfeo ed Euridice: Act III, Scene 1, Orfeo ed Euridice: Ecco un nuovo tormento! | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, Bernarda Fink, Veronica Cangemi | A♭ Major | 1 | 4B | 175 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
La belle Hélène / Act 1: Au mont Ida...Le jugement de Paris | Jacques Offenbach, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi | B♭ Major | 2 | 6B | 96 BPM | ||
Rusalka, Op. 114: Song to the Moon | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | F♯ Major | 1 | 2B | 106 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "Non più andrai" | Wolfgang Amadeus Mozart, Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti | G Major | 2 | 9B | 133 BPM | ||
Salome, Op. 54, TrV 215 / Scene 4: Ah! Ich habe deinen Mund geküsst, Jochanaan | Richard Strauss, Birgit Nilsson, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti | G Major | 3 | 9B | 92 BPM |
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