Geistliches Lied, Op. 30 - Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones Information

Acousticness: 97%
Danceability: 8%
Energy: 6%
Instrumentalness: 71%
Liveness: 11%
Loudness: 56%
Speechiness: 4%
Valence: 3%
Popularity: 23%
Loudness: -26.162 dB

Summary

"Geistliches Lied, Op. 30" by Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones was released on January 1, 1999. With this song being about 5 minutes long, at 5:10, "Geistliches Lied, Op. 30" by Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 13 in Brahms: Motets by Johannes Brahms. The popularity of Geistliches Lied, Op. 30 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Geistliches Lied, Op. 30 BPM

The tempo marking of Geistliches Lied, Op. 30 by Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Geistliches Lied, Op. 30 Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro	Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra	E♭ Major	1	5B	157 BPM
Simple Symphony, Op. 4: III. Sentimental Saraband	Benjamin Britten, English Chamber Orchestra	G Minor	1	6A	82 BPM
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher)	Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra	G Minor	1	6A	86 BPM
Ave verum corpus, T. 92	William Byrd, Owain Park, The Gesualdo Six	F♯ Minor	0	11A	109 BPM
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice	Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus	A Minor	0	8A	114 BPM
Nocturne No.19 In E Minor, Op.72 No.1	Frédéric Chopin, Maurizio Pollini	B Major	0	1B	139 BPM
Requiem, Op. 48: III. Offertoire	Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard	D Major	0	10B	77 BPM
Requiem, Op. 9 (1961 version): Sanctus	Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal	G Minor	1	6A	136 BPM
Serenade in E Minor, Op. 20: II. Larghetto	Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz	C Major	1	8B	77 BPM
All-night Vigil, Op. 37, "Vespers": Song of Simeon: Lord, now let your servant depart	Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava	F♯ Major	0	2B	85 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6916227340698242

End: 0.6964278221130371