"Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice" by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus was released on December 4, 2020. With Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Munich Radio Orchestra, Cappella Coloniensis, Vienna Radio Symphony Orchestra, Serge Baudo, Lamberto Gardelli, Ferdinand Leitner, Anthony Spiri, Leopold Hager, Jessye Norman, Nicolai Gedda, Dietrich Fischer-Dieskau, Pilar Lorengar, Franco Bonisolli, Bavarian Radio Chorus, Thomas Moser, Kaaren Erickson, Ruth-Margret Putz, Elisabeth Söderström, Lothar Zagrosek, Jan-Hendrick Rootering, Iris Vermillion, Robert Gambill, Walton Groenroos, Alexandrina Milcheva, Kölner Rundfunkchor, Anne Tedards, Sylvia Greenberg, Ileana Cotrubas, Gabriele Fontana, Julie Kaufmann, Anna-Marie Rodde, Marga Schiml, Arnold Schoenberg Chor, Robrt Gambill, Chor des Osterreichischen Rundfunks, Annegeer Stumphius, Anna-Maria Rodde, Claes-Håkan Ahnsjö, Ulrich Ress's "Gluck: Opera Gala" album is number 13 out of 39. In terms of popularity, Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Les Barricades Mystérieuses | François Couperin, Khatia Buniatishvili | B♭ Major | 0 | 6B | 149 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 6 | 12A | 122 BPM | ||
Lamento della ninfa | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | A Minor | 1 | 8A | 98 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM |
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