Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz made "Kleine Dreigroschenmusik: VI. Tango-Ballade" available on January 1, 2016. The duration of Kleine Dreigroschenmusik: VI. Tango-Ballade is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Kleine Dreigroschenmusik: VI. Tango-Ballade's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Violin Concerto, Op. 12, Kleine Dreigroschenmusik & Berlin im Licht by Kurt Weill, Henry Raudales, Munich Radio Orchestra, Gerd Müller-Lorenz. The song's track number on the album is #11 out of 14 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Kleine Dreigroschenmusik: VI. Tango-Ballade's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kleine Dreigroschenmusik: VI. Tango-Ballade by Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz has a tempo of 122 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Kleine Dreigroschenmusik: VI. Tango-Ballade being at 122 BPM, the half-time would be 61 BPM with a double-time of 244 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 6 | 12A | 122 BPM | ||
Gayane Suite No. 3: II. Dance of the Comrades | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D♭ Major | 4 | 3B | 106 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
Dios y patria, SC 77a (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Horn Concerto in E-Flat Major, K. 417: III. Rondo | Wolfgang Amadeus Mozart, Javier Bonet, Hermann Baumann, Munich Radio Orchestra | E♭ Minor | 0 | 2A | 71 BPM | ||
Cuban Overture | George Gershwin, Chicago Symphony Orchestra, James Levine | G Major | 4 | 9B | 98 BPM | ||
Porgy and Bess / Act 1: Introduction - Jazzbo Brown Blues | George Gershwin, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 136 BPM | ||
Happy End, Act III: Surabaya-Johnny (Arr. for Brass Quintet) | Kurt Weill, Center City Brass Quintet | A♭ Major | 0 | 4B | 72 BPM | ||
Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 1 | 4B | 91 BPM |
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