Apollo e Dafne, HWV 122: Aria: Cara pianta, co'miei pianti (Dearest laurel, with my tears) (Apollo) - George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni Information

Acousticness: 96%
Danceability: 20%
Energy: 7%
Instrumentalness: 0%
Liveness: 9%
Loudness: 63%
Speechiness: 6%
Valence: 8%
Popularity: 1%
Loudness: -22.458 dB

Summary

"Apollo e Dafne, HWV 122: Aria: Cara pianta, co'miei pianti (Dearest laurel, with my tears) (Apollo)" by George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni was released on August 24, 2010. Apollo e Dafne, HWV 122: Aria: Cara pianta, co'miei pianti (Dearest laurel, with my tears) (Apollo) is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Fabio Bonizzoni's "Handel: Italian Cantatas, Vol. 7" album is number 18 out of 32. Apollo e Dafne, HWV 122: Aria: Cara pianta, co'miei pianti (Dearest laurel, with my tears) (Apollo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Apollo e Dafne, HWV 122: Aria: Cara pianta, co'miei pianti (Dearest laurel, with my tears) (Apollo) BPM

We consider the tempo marking of Apollo e Dafne, HWV 122: Aria: Cara pianta, co'miei pianti (Dearest laurel, with my tears) (Apollo) by George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Apollo e Dafne, HWV 122: Aria: Cara pianta, co'miei pianti (Dearest laurel, with my tears) (Apollo) Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro	Arcangelo Corelli, Jordi Savall, Le Concert Des Nations	D♭ Major	3	3B	133 BPM
Trumpet Sonata in D Major, Z. 850: I. Allegro	Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra	E♭ Minor	0	2A	83 BPM
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto	Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans	E Major	1	12B	84 BPM
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture	Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques	B♭ Major	3	6B	128 BPM
Minuet in G Major, WoO 10, No. 2	Ludwig van Beethoven, I Musici	G Major	1	9B	95 BPM
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846	Luc Beauséjour	B Major	3	1B	78 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro	Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana	D Major	3	10B	126 BPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924	Janos Sebestyen, Johann Sebastian Bach	C Major	2	8B	139 BPM
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928	Janos Sebestyen, Johann Sebastian Bach	F Major	2	7B	140 BPM
Overture (Suite) in B-Flat Major, TWV 55:B2: Aria IV: Sarabande	Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider	A Major	1	11B	98 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5936732292175293

End: 0.5982961654663086