Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture
Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques
Lully: Phaéton
3:22 October 21, 2013
BPM
128
Key
B♭ Major
Camelot
6B

Embed

Share Link

Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture - Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques Information

Acousticness
76%
Danceability
40%
Energy
34%
Instrumentalness
1%
Liveness
34%
Loudness
80%
Speechiness
4%
Valence
37%
Popularity
Loudness
-12.114 dB

Summary

Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques's 'Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture' came out on October 21, 2013. The duration of Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture is about 3 minutes long, at 3:22. Based on our data, "Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jean-Baptiste Lully, Christophe Rousset, Les Talens Lyriques, Chœur De Chambre De Namur's "Lully: Phaéton" album is number 1 out of 55. Based on our statistics, Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture BPM

We consider the tempo marking of Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture by Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Alcidiane: Petite Chaconne by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonAlcidiane: Petite ChaconneJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonB Major01B150 BPM
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: VIII. Bourrée by George Frideric Handel, Akademie für Alte Musik BerlinWater Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: VIII. BourréeGeorge Frideric Handel, Akademie für Alte Musik BerlinE Major312B153 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana by Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio VivaldiConcerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla SicilianaCologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio VivaldiF♯ Minor111A129 BPM
Cassadó: Toccata (in the Style of Frescobaldi) by Gaspar Cassadó, Mstislav Rostropovich, Herbert TacheziCassadó: Toccata (in the Style of Frescobaldi)Gaspar Cassadó, Mstislav Rostropovich, Herbert TacheziD Major110B91 BPM
Intermedes de Xerxes: Bourre pour les Basques by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonIntermedes de Xerxes: Bourre pour les BasquesJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major12B140 BPM
Chanson de Matin, Op.15, No.2 by Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James JuddChanson de Matin, Op.15, No.2Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James JuddG Major19B89 BPM
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro by Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles ColliardConcerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. AllegroJohann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles ColliardB Minor210A120 BPM
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga by Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas WardOboe Concerto in A Major (arr. J. Barbirolli): V. GigaArcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas WardF Major07B104 BPM
Symphony No. 1 in B-Flat Major, Op. 2, Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. AllegroWilliam Boyce, Aradia Ensemble, Kevin MallonA Major111B86 BPM
Armida, Atto primo Scena 1: Gavotta by Antonio Salieri, Les Talens Lyriques, Christophe RoussetArmida, Atto primo Scena 1: GavottaAntonio Salieri, Les Talens Lyriques, Christophe RoussetA Minor28A101 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7446520328521729

End: 0.7479727268218994