"À Chloris" by Reynaldo Hahn, Susan Graham was released on January 1, 1991. The duration of À Chloris is about 3 minutes long, at 3:02. Based on our data, "À Chloris" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Reynaldo Hahn, Susan Graham, Roger Vignoles's "La Belle Époque: The Songs of Reynaldo Hahn" album is number 1 out of 24. On top of that, United States appears to be the country where this track was created. The popularity of À Chloris is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of À Chloris by Reynaldo Hahn, Susan Graham to be Presto (very, very fast) because the track has a tempo of 185 BPM, a half-time of 92BPM, and a double-time of 370 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantique de Jean Racine, Op.11 | Gabriel Fauré, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey, Rundfunkchor Berlin | D♭ Major | 2 | 3B | 87 BPM | ||
L'incoronazione di Poppea: "Pur ti miro" | Claudio Monteverdi, Pianca Luca, Roberta Invernizzi, Sonia Prina, Ensemble Claudiana | D♭ Minor | 5 | 12A | 83 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
Pur ti miro | Claudio Monteverdi, Elin Manahan Thomas, Robin Blaze, Alastair Ross, Siobhán Armstrong, Joseph Crouch, Eligio Quinteiro, Harry Christophers | F♯ Major | 0 | 2B | 72 BPM | ||
Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Saint-Saens: Danse macabre, Op. 40 | Camille Saint-Saëns, Susan Graham, Malcolm Martineau | E♭ Major | 2 | 5B | 217 BPM |
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