"Stabat Mater: Stabat Mater Dolorosa" by Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis was released on January 1, 2013. The duration of Stabat Mater: Stabat Mater Dolorosa is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Stabat Mater: Stabat Mater Dolorosa's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Steffani: Stabat Mater". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Stabat Mater: Stabat Mater Dolorosa is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: Stabat Mater Dolorosa by Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Was mir behagt, ist nur die muntre Jagd, Cantata BWV 208: Aria: Schafe können sicher weiden | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | E♭ Major | 0 | 5B | 69 BPM | ||
Gloria in D Major, RV 589: 1. Gloria in excelsis | Antonio Vivaldi, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | D♭ Major | 3 | 3B | 128 BPM | ||
BWV82: Aria: Ich habe genug | Johann Sebastian Bach, Lorraine Hunt Lieberson | D♭ Minor | 1 | 12A | 83 BPM | ||
Oreste, HWV A11 - Act 1: "Agitato da fiere tempeste" | George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira Valova | D♭ Major | 5 | 3B | 122 BPM | ||
Weinen, Klagen (Chorus) | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | G Major | 5 | 9B | 123 BPM | ||
Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Requiem, Op.48: 1. Introitus: Requiem aeternam - Kyrie | Gabriel Fauré, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 74 BPM | ||
Marco Rosano: Requiem | Andreas Scholl | B♭ Major | 2 | 6B | 59 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM |
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