Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra's 'Porpora: Arianna e Teseo: "Mira in cielo" (Alceste)' came out on September 10, 2013. Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The song is number 1 out of 11 in Farinelli & Porpora - His Master's Voice by Nicola Porpora, Philippe Jaroussky. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Porpora: Arianna e Teseo: "Mira in cielo" (Alceste)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) by Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Caelo Stele Clare Fulgescant: Alleluia | Nicola Porpora, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 3 | 4B | 0 BPM | ||
Bach, JC: Temistocle, T. 238: "Ch'io parta" | Johann Christian Bach, Philippe Jaroussky, Jérémie Rhorer, Le Cercle De L'Harmonie | G Minor | 2 | 6A | 147 BPM | ||
Torri: Abramo: "Perché più franco" (Isacco) | Pietro Torri, Philippe Jaroussky | A♭ Major | 2 | 4B | 96 BPM | ||
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 1 | 5A | 103 BPM | ||
Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM | ||
L'Orfeo - Act 1: Lasciate i monti | Claudio Monteverdi, New London Consort, Philip Pickett | G Major | 2 | 9B | 113 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30: Sinfonia - Allegro con moto | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 2 | 1B | 138 BPM | ||
Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) | Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset | G Minor | 0 | 6A | 172 BPM | ||
Monteverdi: Madrigals, Book 7: Con che soavità, SV 139 | Claudio Monteverdi, Christina Pluhar, Núria Rial | G Major | 1 | 9B | 79 BPM |
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