Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace)
Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset
Farinelli
7:34 November 25, 2016
BPM
172
Key
G Minor
Camelot
6A

Embed

Share Link

Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) - Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset Information

Acousticness
99%
Danceability
24%
Energy
1%
Instrumentalness
0%
Liveness
6%
Loudness
54%
Speechiness
4%
Valence
5%
Popularity
Loudness
-27.658 dB

Summary

"Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace)" by Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset was released on November 25, 2016. Since Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 12 in Farinelli by Ann Hallenberg, Christophe Rousset, Les Talens Lyriques. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) BPM

The tempo marking of Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) by Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.

Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) Key

This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Les Pêcheurs de perles: Je crois entendre encore (Nadir) by Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comiqueLes Pêcheurs de perles: Je crois entendre encore (Nadir)Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comiqueA Minor18A88 BPM
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah! se intorno a quest'urna funesta" (Orfeo, Chorus)Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I BarocchistiB Minor210A89 BPM
Nitocri: “Fortuna e speranza” by Antonio Caldara, Cecilia Bartoli, Sol Gabetta, Cappella Gabetta, Andrés GabettaNitocri: “Fortuna e speranza”Antonio Caldara, Cecilia Bartoli, Sol Gabetta, Cappella Gabetta, Andrés GabettaA♭ Minor11A100 BPM
7 Chansons grises: No. 5, L'heure exquise by Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg7 Chansons grises: No. 5, L'heure exquiseReynaldo Hahn, Anne Sofie von Otter, Bengt ForsbergB♭ Major06B67 BPM
Rameau: Les Indes galantes, Quatrième entrée Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages)Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les AmbassadeursF♯ Minor311A85 BPM
Delibes: Lakmé, Act 1: Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika)Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-ComiqueB Major11B135 BPM
Theodora: Aria - As With Rosy Steps The Morn by Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry BicketTheodora: Aria - As With Rosy Steps The MornLorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry BicketB Major01B68 BPM
St. Matthew Passion, BWV 244 / Pt. 2: No. 47 Aria (Alto): St. Matthew Passion, BWV 244 / Pt. 2: No. 47 Aria (Alto): "Erbarme dich, mein Gott"Johann Sebastian Bach, Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik MortensenB♭ Minor13A79 BPM
Roméo et Juliette, CG 9 / Act 1: Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève"Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius MeisterC Major38B77 BPM
Quintet No.4 for Guitar and Strings in D G.448 - Quintet No.4 for Guitar and Strings in D G.448 - "Fandango": 3. Grave assai - 4. FandangoLuigi Boccherini, Narciso Yepes, Melos Quartet, Lucero TenaD Major210B115 BPM
ISRC
FROV61111701
Label
L-M Records/RCA Records

Section: 0.6676383018493652

End: 0.7193715572357178