"Theodora: Aria - As With Rosy Steps The Morn" by Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket was released on January 1, 2006. Since Theodora: Aria - As With Rosy Steps The Morn is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lorraine Hunt Lieberson, Harry Bicket's "Handel Arias" album is number 2 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Theodora: Aria - As With Rosy Steps The Morn is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Theodora: Aria - As With Rosy Steps The Morn by Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kindertotenlieder: No. 1, Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier | D Minor | 1 | 7A | 105 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "But the Lord from the north hath raised one" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 1 | 9B | 145 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Matthias Goerne, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | D Major | 0 | 10B | 83 BPM | ||
"Where The Bee Sucks" | Thomas Arne, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | F♯ Major | 0 | 2B | 68 BPM | ||
Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Prégardian, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "Then shall the righteous shine" | Felix Mendelssohn, John Mark Ainsley, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 2 | 9B | 92 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Le colibri Op.2 N°7 | Ernest Chausson, Susan Manoff, Sandrine Piau | D♭ Major | 0 | 3B | 130 BPM | ||
Exsultate jubilate, K. 165: Alleluia | Wolfgang Amadeus Mozart, Aksel Rykkvin, Nigel Short, Orchestra of the Age of Enlightenment | E Major | 1 | 12B | 139 BPM |
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