"Kindertotenlieder: No. 1, Nun will die Sonn' so hell aufgeh'n" by Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier was released on November 19, 2021. With this song being about 5 minutes long, at 4:52, "Kindertotenlieder: No. 1, Nun will die Sonn' so hell aufgeh'n" by Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gustav Mahler, Bruno Walter, Columbia Symphony Orchestra, Wiener Philharmoniker, Kathleen Ferrier's "Mahler: Symphony No. 1 in D Major "Titan" & Kindertotenlieder" album is number 5 out of 9. In terms of popularity, Kindertotenlieder: No. 1, Nun will die Sonn' so hell aufgeh'n is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kindertotenlieder: No. 1, Nun will die Sonn' so hell aufgeh'n by Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Depuis le jour" | Gustave Charpentier, Anna Netrebko | G Major | 1 | 9B | 87 BPM | ||
Fünf Lieder: Ich Wandle Unter Blumen | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
Rinaldo, HWV 7a / Act II: "Lascia ch'io pianga" | George Frideric Handel, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | E Major | 0 | 12B | 79 BPM | ||
Ein deutsches Requiem, Op.45: 6. Solo (Bariton) und Chor: "Denn wir haben hie keine bleibende Statt" | Johannes Brahms, José van Dam, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 2 | 9B | 120 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
Les pêcheurs de perles, WD 13 / Act I: "C'était le soir" ... "Au fond du temple saint" | Georges Bizet, Rolando Villazón, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin | E Major | 0 | 12B | 79 BPM | ||
Petite messe solennelle: I. Kyrie. Kyrie eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | C Major | 0 | 8B | 116 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Norma / Act 1: "Casta Diva" | Vincenzo Bellini, Joan Sutherland, London Symphony Chorus, London Symphony Orchestra, Richard Bonynge | G Major | 0 | 9B | 85 BPM |
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