"Fünf Lieder: Ich Wandle Unter Blumen" by Alma Mahler, Barbara Hannigan, Reinbert de Leeuw was released on August 24, 2018. With Fünf Lieder: Ich Wandle Unter Blumen being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vienna: Fin de Siècle by Barbara Hannigan, Reinbert de Leeuw. The song's track number on the album is #26 out of 31 tracks. Based on our data, France was the country where this track was produced or recorded. Fünf Lieder: Ich Wandle Unter Blumen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fünf Lieder: Ich Wandle Unter Blumen by Alma Mahler, Barbara Hannigan, Reinbert de Leeuw has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Fünf Lieder: Ich Wandle Unter Blumen being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebeslieder-Walzer, Op. 52: No. 7, Wohl schön bewandt | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | A♭ Major | 0 | 4B | 72 BPM | ||
Rapsodie Negre: I. Prélude | Francis Poulenc, Badke Quartet, Lisa Friend, Julian Bliss, Malcolm Martineau | C Minor | 0 | 5A | 67 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Recitative: Ah! Sul bel labbro Amore - Aria: Basta che sol tu chieda (Argante) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Préludes / Book 1, L.117: 6. Des pas sur la neige | Claude Debussy, Pierre-Laurent Aimard | F Major | 0 | 7B | 132 BPM | ||
Pulcinella Suite: IV. Tarantella | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | F Major | 2 | 7B | 106 BPM | ||
Six Lieder, Op. 13: 2. Sie liebten sich beide | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | C Minor | 0 | 5A | 167 BPM | ||
Symphony No. 49 in F Minor, Hob. I: IV. Finale. Presto | Joseph Haydn, Barbara Hannigan, LUDWIG Orchestra | F Minor | 3 | 4A | 91 BPM | ||
In meines Vaters Garten - Vocal | Alma Mahler, Angelika Kirchschlager | B Major | 1 | 1B | 81 BPM | ||
Rissolty Rossolty | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 3 | 7B | 117 BPM |
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