Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki made "Pulcinella Suite: IV. Tarantella" available on June 3, 2016. With Pulcinella Suite: IV. Tarantella being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Stravinsky: Pulcinella Suite, Apollon musagète & Concerto for Strings in D Major". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Pulcinella Suite: IV. Tarantella is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pulcinella Suite: IV. Tarantella by Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Minor | 0 | 6A | 89 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 1. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": I. Adagio. Con moto | Leoš Janáček, Melos Quartet | E Major | 1 | 12B | 81 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 149 BPM | ||
L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 142 BPM | ||
Les Noces - Deuxième Partie: Quatrième tableau: Le repas de noces | Igor Stravinsky, Galina Bojko, Margarita Maruna, Ludovit Ludha, Egils Silins, Ernst Senff Chor, Piano Circus, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | C Major | 3 | 8B | 119 BPM | ||
Les Noces - Première Partie: Deuxième tableau: Chez le Marié | Igor Stravinsky, Ludovit Ludha, Egils Silins, Ernst Senff Chor, Piano Circus, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | C Major | 3 | 8B | 119 BPM |
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