Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning
Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan
Respighi: The Fountains of Rome; The Pines of Rome; Ancient Airs and Dances - Suite III / Boccherini: Quintettino / Albinoni: Adagio in G Minor
2:45 January 1, 1996
BPM
74
Key
C Major
Camelot
8B

Embed

Share Link

Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning - Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan Information

Acousticness
97%
Danceability
22%
Energy
14%
Instrumentalness
53%
Liveness
7%
Loudness
71%
Speechiness
3%
Valence
4%
Popularity
Loudness
-17.324 dB

Summary

"Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning" by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1996. The duration of Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Respighi: The Fountains of Rome; The Pines of Rome; Ancient Airs and Dances - Suite III / Boccherini: Quintettino / Albinoni: Adagio in G Minor". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning BPM

With Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai by Johannes Brahms, Berliner Philharmoniker, Herbert von KarajanSymphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assaiJohannes Brahms, Berliner Philharmoniker, Herbert von KarajanC Major08B83 BPM
Cavalleria rusticana: Intermezzo sinfonico by Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von KarajanCavalleria rusticana: Intermezzo sinfonicoPietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von KarajanF Major17B95 BPM
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione IV: Andante grazioso by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von KarajanVariations on a Rococo Theme, Op. 33, TH. 57: Variazione IV: Andante graziosoPyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von KarajanG Major09B66 BPM
The Rite of Spring: Part One: Adoration of the Earth: Games of the Rival Tribes by Igor Stravinsky, Teodor Currentzis, musicAeternaThe Rite of Spring: Part One: Adoration of the Earth: Games of the Rival TribesIgor Stravinsky, Teodor Currentzis, musicAeternaG Major49B80 BPM
Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) by Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin MehtaCello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato)Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin MehtaB Minor110A114 BPM
Quintettino Op.30 No.6, G.324: 1. Introduzione by Luigi Boccherini, Berliner Philharmoniker, Herbert von KarajanQuintettino Op.30 No.6, G.324: 1. IntroduzioneLuigi Boccherini, Berliner Philharmoniker, Herbert von KarajanB♭ Major16B137 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinA♭ Major04B87 BPM
Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato by Alexander Borodin, Leonard Bernstein, New York PhilharmonicPrince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animatoAlexander Borodin, Leonard Bernstein, New York PhilharmonicA Major611B91 BPM
Bolt, Op. 27a (Ballet Suite No. 5): VI. The Dance of the Colonial Slave-Girl by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyBolt, Op. 27a (Ballet Suite No. 5): VI. The Dance of the Colonial Slave-GirlDmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyA Minor08A138 BPM
Strauss II, J: Die Tauben von San Marco, Op. 414 by Johann Strauss II, Nikolaus Harnoncourt, Berliner PhilharmonikerStrauss II, J: Die Tauben von San Marco, Op. 414Johann Strauss II, Nikolaus Harnoncourt, Berliner PhilharmonikerD Major110B177 BPM
ISRC
DEF057800412
Label
L-M Records/RCA Records

Section: 0.8614251613616943

End: 0.8652822971343994