"Liebeslieder-Walzer, Op. 52: No. 7, Wohl schön bewandt" by Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers was released on November 4, 2022. With Liebeslieder-Walzer, Op. 52: No. 7, Wohl schön bewandt being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 38 in Brahms: Complete Liebeslieder Walzer, Op. 52 & 65, Hungarian Dances by Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Liebeslieder-Walzer, Op. 52: No. 7, Wohl schön bewandt is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Liebeslieder-Walzer, Op. 52: No. 7, Wohl schön bewandt by Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An die ferne Geliebte, Op. 98: No. 3, Leichte Segler in den Höhen | Ludwig van Beethoven, Dietrich Fischer-Dieskau, Jörg Demus | C Major | 1 | 8B | 77 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VI. Chanson de Melisande - Molto lento | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Pocket Poetry No. 1: II. I Feel so Calm | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | C Minor | 0 | 5A | 131 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Stabat Mater, FP 148: IV. Quae moerebat | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | A♭ Major | 1 | 4B | 175 BPM | ||
Mein Herze schwimmt im Blut, BWV 199: No. 2, Stumme Seufzer, stille Klagen | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | D♭ Minor | 0 | 12A | 77 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM |
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