"Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro" by Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz was released on March 6, 2012. With Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 4 out of 12 in Bach: Orchestral transcriptions by Respighi & Elgar by Ottorino Respighi, Gerard Schwarz. Based on our statistics, Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro by Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Suite en ré: Les niais de Sologne | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: I. Andante | Jean Barrière, Guy Johnston, Sheku Kanneh-Mason | G Major | 0 | 9B | 138 BPM | ||
Bach - 3 chorales, P. 167: No. 2. Andante con moto e scherzando (after J.S. Bach's Meine Seele erhebt den Herrn, BWV 648) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 0 | 9B | 97 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Mayskaya noch' (May Night): Overture | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM |
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