Jean Barrière, Guy Johnston, Sheku Kanneh-Mason's 'Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: I. Andante' came out on September 8, 2017. With this song being about 5 minutes long, at 4:30, "Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: I. Andante" by Jean Barrière, Guy Johnston, Sheku Kanneh-Mason is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Tecchler's Cello: From Cambridge to Rome". In this album, this song's track order is #7. Based on our statistics, Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: I. Andante's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: I. Andante by Jean Barrière, Guy Johnston, Sheku Kanneh-Mason having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
Offertory | Matthew Coleridge, RSVP Voices, Guy Johnston, Rob Johnston, Francis Brett, Stephen Farr | D Minor | 0 | 7A | 81 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Sonata X in G Major for Two Cellos: I. Andante | Jean Barrière, Patrick Demenga, Thomas Demenga | D Major | 0 | 10B | 178 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
Londonderry Air "Farewell to Cucullain" (Arr. Kreisler for Violin, Cello & Piano) | Traditional, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | C Major | 1 | 8B | 101 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Rostropovitch: Humoresque, Op. 5 | Mstislav Rostropovich, Edgar Moreau, Pierre-Yves Hodique | C Major | 3 | 8B | 173 BPM |
Section: 0.9146409034729004
End: 0.9184916019439697