Offertory - Matthew Coleridge, RSVP Voices, Guy Johnston, Rob Johnston, Francis Brett, Stephen Farr Information

Acousticness: 82%
Danceability: 13%
Energy: 3%
Instrumentalness: 94%
Liveness: 11%
Loudness: 54%
Speechiness: 4%
Valence: 4%
Popularity: 3%
Loudness: -27.454 dB

Summary

"Offertory" by Matthew Coleridge, RSVP Voices, Guy Johnston, Rob Johnston, Francis Brett, Stephen Farr was released on June 2, 2016. Offertory is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Matthew Coleridge, RSVP Voices, Rob Johnston, Guy Johnston's "Matthew Coleridge - REQUIEM" album is number 3 out of 7. Offertory is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Offertory BPM

We consider the tempo marking of Offertory by Matthew Coleridge, RSVP Voices, Guy Johnston, Rob Johnston, Francis Brett, Stephen Farr to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Offertory Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen	Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl	C Major	0	8B	70 BPM
Rex Tremendae	Matthew Coleridge, RSVP Voices, Rob Johnston, Guy Johnston, Stephen Farr	D Minor	0	7A	81 BPM
O dessa ögon	Anders Hillborg, Hannah Holgersson, Royal Stockholm Philharmonic Orchestra, Sakari Oramo	G Major	0	9B	85 BPM
4 Gesange, Op. 17: Es tont ein voller Harfenklang	Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling	C Major	1	8B	111 BPM
Requiem, Op. 9: VI. Agnus Dei	Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet	B♭ Major	0	6B	131 BPM
Sheppard: Missa Cantate - 5c. Agnus Dei 3	John Sheppard, The Tallis Scholars, Peter Phillips	G Major	2	9B	92 BPM
Afflicti pro peccatis nostris a 6, T. 51 (Cantiones Sacrae, 1591): II. Ut eruas nos a malis	William Byrd, Owain Park, The Gesualdo Six	B Major	1	1B	146 BPM
Sacred Concerto No. 27, "Hlasom moim ko Hospodu vozzvakh" (With my voice unto the Lord have I cried): I. Adagio	Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma	B Minor	0	10A	80 BPM
Four Songs of Love: II. Until the Daybreak	Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt	A♭ Major	0	4B	137 BPM
Tu lo sai	Giuseppe Torelli, Holly Bewlay, Sarah Rhee	E Major	1	12B	67 BPM

ISRC: UKFEF1600003
Label: L-M Records/RCA Records

Section: 0.7013492584228516

End: 0.7061491012573242