"O dessa ögon" by Anders Hillborg, Hannah Holgersson, Royal Stockholm Philharmonic Orchestra, Sakari Oramo was released on January 1, 2016. With this song being about 5 minutes long, at 4:48, "O dessa ögon" by Anders Hillborg, Hannah Holgersson, Royal Stockholm Philharmonic Orchestra, Sakari Oramo is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Anders Hillborg, Royal Stockholm Philharmonic Orchestra's "Hillborg: Cold Heat & Beast Sampler" album is number 2 out of 4. On top of that, Sweden appears to be the country where this track was created. O dessa ögon is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O dessa ögon by Anders Hillborg, Hannah Holgersson, Royal Stockholm Philharmonic Orchestra, Sakari Oramo to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiaen : Vingt regards sur l'enfant Jésus : I Regard du Père | Olivier Messiaen, Pierre-Laurent Aimard | D♭ Major | 0 | 3B | 77 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
From Jewish Life, B. 55: II. Supplication | Ernest Bloch, Sol Gabetta | E Major | 1 | 12B | 46 BPM | ||
In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
Vieille priere bouddhique | Lili Boulanger, Martial Defontaine, Namur Symphonic Choir, Luxembourg Philharmonic Orchestra, Mark Stringer | F Minor | 1 | 4A | 71 BPM | ||
Symphony No. 3: II | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
Bach materia (After Bach's BWV 1048): Bar 110 | Anders Hillborg, Pekka Kuusisto, Sebastien Dube, Swedish Chamber Orchestra, Thomas Dausgaard | C Major | 3 | 8B | 121 BPM | ||
Concerto grosso no.1 (1976-77): 2. Toccata: Allegro | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | D Major | 5 | 10B | 134 BPM | ||
Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet | Morton Feldman, Ensemble Recherche | A Major | 0 | 11B | 94 BPM | ||
Harmonielehre: Pt. III Meister Eckhardt and Quackie | John Adams | E Minor | 1 | 9A | 77 BPM |
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