"Sheppard: Missa Cantate - 5c. Agnus Dei 3" by John Sheppard, The Tallis Scholars, Peter Phillips was released on October 6, 2023. With Sheppard: Missa Cantate - 5c. Agnus Dei 3 being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Sheppard, The Tallis Scholars, Peter Phillips's "John Sheppard: Missa Cantate" album is number 30 out of 80. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Sheppard: Missa Cantate - 5c. Agnus Dei 3 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sheppard: Missa Cantate - 5c. Agnus Dei 3 by John Sheppard, The Tallis Scholars, Peter Phillips to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O salutaris hostia | Pierre de la Rue, Choir of Clare College, Cambridge, Graham Ross | F Major | 0 | 7B | 72 BPM | ||
Victoria: Requiem (Missa pro defunctis) - 02. Introitus - Te decet hymnus | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | E Minor | 1 | 9A | 73 BPM | ||
Mother of God | John Tavener, Mikhail Lermontov, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | F Major | 1 | 7B | 86 BPM | ||
Missa Praeter rerum seriem: I. Kyrie | George de La Hèle, El León de Oro, Peter Phillips | A♭ Minor | 2 | 1A | 83 BPM | ||
Missa Noe Noe: I. Kyrie | Jacques Arcadelt, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | G Minor | 1 | 6A | 108 BPM | ||
Missa Orbis factor: I. Kyrie eleison | The Monteverdi Choir, John Eliot Gardiner | G Major | 0 | 9B | 127 BPM | ||
Tallis: Blessed are those that be undefiled - 3. Glory be to the Father | Thomas Tallis, The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 57 BPM | ||
Sheppard: Missa Cantate - 2j. Vivos et mortuos | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 1 | 9B | 91 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantemus Children Choir, Szabó Dénes, Váradi Antal | B Minor | 0 | 10A | 85 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM |
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