"Sacred Concerto No. 27, "Hlasom moim ko Hospodu vozzvakh" (With my voice unto the Lord have I cried): I. Adagio" by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma was released on June 4, 2013. The duration of Sacred Concerto No. 27, "Hlasom moim ko Hospodu vozzvakh" (With my voice unto the Lord have I cried): I. Adagio is about 3 minutes long, at 3:12. Based on our data, "Sacred Concerto No. 27, "Hlasom moim ko Hospodu vozzvakh" (With my voice unto the Lord have I cried): I. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 31 in Bortniansky: I cried out to the Lord: Hymns and Choral Concertos by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma. Sacred Concerto No. 27, "Hlasom moim ko Hospodu vozzvakh" (With my voice unto the Lord have I cried): I. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sacred Concerto No. 27, "Hlasom moim ko Hospodu vozzvakh" (With my voice unto the Lord have I cried): I. Adagio by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Triptych 07: Divine Spirit | Kastalski Mixed Choir | B♭ Minor | 2 | 3A | 124 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
The Little Litany | St.Petersburg Chamber Choir, Nikolai Korniev | A Minor | 2 | 8A | 75 BPM | ||
Vecheri tvoeya tainïya (Of Thy mystical supper), Op. 58 | Alexander Gretchaninov, Alexei Buzakin, St.Petersburg Chamber Choir, Nikolai Korniev | E Major | 0 | 12B | 87 BPM | ||
Stabat Mater: O quam tristis et afflicta | Zuzanna Koziej, Agnieszka Frankow-Zelazny, NFM Choir | E Minor | 4 | 9A | 200 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 7: No. 1. Banat (Regret) | Béla Bartók, Schola Hungarica, László Dobszay | C Minor | 0 | 5A | 80 BPM | ||
Communion Service in C Major: Kyrie | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
Cherubic Hymn No. 4 | SOFIA ORTHODOX CHOIR | B♭ Major | 1 | 6B | 79 BPM | ||
Spaseniye sodelal, Op. 25 No. 5: Spaseniye sodelal, Op. 25 No. 5 | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | D Major | 0 | 10B | 85 BPM | ||
Messe brève No. 7: V. Agnus Dei | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | G Major | 6 | 9B | 128 BPM |
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