Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig's 'Messe brève No. 7: V. Agnus Dei' came out on January 1, 2005. The duration of Messe brève No. 7: V. Agnus Dei is about 3 minutes long, at 3:02. Based on our data, "Messe brève No. 7: V. Agnus Dei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 25 in Charles Gounod: Musica sacra by Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Messe brève No. 7: V. Agnus Dei's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Messe brève No. 7: V. Agnus Dei by Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Messe solennelle de Sainte Cécile: Agnus Dei | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Radio France | B♭ Major | 2 | 6B | 96 BPM | ||
Fem Latinske Kirkekor: 1. Jubilate Deo Omnis Terra | Arild Sandvold, Kåre Hanken, Schola Cantorum | A♭ Major | 1 | 4B | 94 BPM | ||
The Day You Gave Us, Lord, Is Ended (Arr. Michael Leighton Jones) | Clement Cotterill Scholefield, Michael Leighton Jones, John Ellerton, The Choir of Trinity College, Melbourne, Jonathan Bradley | G Major | 2 | 9B | 78 BPM | ||
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
At the Sovereign Command of God | The Choir of the Dormition Church of the Novodevichy Convent | D♭ Major | 2 | 3B | 80 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM |
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