"Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day" by Gerald Finzi, Finzi Singers, Paul Spicer was released on May 1, 1991. With Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 19 in Finzi: Choral Works by Gerald Finzi, Finzi Singers, Paul Spicer, Harry Bicket. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day by Gerald Finzi, Finzi Singers, Paul Spicer is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Considering Matthew Shepard: Passion, 14. Stray Birds | Craig Hella Johnson, Conspirare | F♯ Minor | 0 | 11A | 96 BPM | ||
Psalm 10 "Why Standest Thou So Far Off, O Lord" | Robert Ashfield, Percy C. Buck, Rochester Cathedral Choir, Roger Sayer, Barry Ferguson | F♯ Minor | 0 | 11A | 73 BPM | ||
6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Three Part-songs, Op. 18: III. My Love dwelt in a Northern Land | Edward Elgar, Finzi Singers, Paul Spicer | A Minor | 0 | 8A | 139 BPM | ||
Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 4. Hymn of the Travellers | Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison | D Major | 1 | 10B | 88 BPM | ||
Seven Poems of Robert Bridges, Op. 17: No. 1, I Praise the Tender Flower | Gerald Finzi, Robert Bridges, Vodeon, Clayton Bowman | B Minor | 1 | 10A | 83 BPM | ||
Music, When Soft Voices Die | Hubert Parry, Rodolfus Choir, Ralph Allwood | E Major | 1 | 12B | 87 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
People, Look East | Harry Bramma, Choir Of All Saints Margaret Street London, Henry Parkes, Paul Brough | E♭ Major | 1 | 5B | 132 BPM | ||
Rejoice in the Lamb, Op. 30: VIII. For H is a spirit and therefore he is God | Benjamin Britten, Finzi Singers, Paul Spicer, Carys Lane, Richard Wyn Roberts, James Gilchrist, Matthew Brook, Simon Preece, Andrew Lumsden | F Minor | 0 | 4A | 85 BPM |
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