Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day
Gerald Finzi, Finzi Singers, Paul Spicer
Finzi: Choral Works
1:38 May 1, 1991
BPM
121
Key
A Minor
Camelot
8A

Embed

Share Link

Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day - Gerald Finzi, Finzi Singers, Paul Spicer Information

Acousticness
98%
Danceability
18%
Energy
9%
Instrumentalness
20%
Liveness
23%
Loudness
54%
Speechiness
4%
Valence
14%
Popularity
Loudness
-27.724 dB

Summary

"Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day" by Gerald Finzi, Finzi Singers, Paul Spicer was released on May 1, 1991. With Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 19 in Finzi: Choral Works by Gerald Finzi, Finzi Singers, Paul Spicer, Harry Bicket. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day BPM

The tempo marking of Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day by Gerald Finzi, Finzi Singers, Paul Spicer is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day Key

This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Considering Matthew Shepard: Passion, 14. Stray Birds by Craig Hella Johnson, ConspirareConsidering Matthew Shepard: Passion, 14. Stray BirdsCraig Hella Johnson, ConspirareF♯ Minor011A96 BPM
Psalm 10 Psalm 10 "Why Standest Thou So Far Off, O Lord"Robert Ashfield, Percy C. Buck, Rochester Cathedral Choir, Roger Sayer, Barry FergusonF♯ Minor011A73 BPM
6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage by Felix Mendelssohn, Westminster Williamson Voices, James Jordan6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am NeujahrstageFelix Mendelssohn, Westminster Williamson Voices, James JordanG Major29B77 BPM
Three Part-songs, Op. 18: III. My Love dwelt in a Northern Land by Edward Elgar, Finzi Singers, Paul SpicerThree Part-songs, Op. 18: III. My Love dwelt in a Northern LandEdward Elgar, Finzi Singers, Paul SpicerA Minor08A139 BPM
Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 4. Hymn of the Travellers by Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-HarrisonChoral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 4. Hymn of the TravellersGustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-HarrisonD Major110B88 BPM
Seven Poems of Robert Bridges, Op. 17: No. 1, I Praise the Tender Flower by Gerald Finzi, Robert Bridges, Vodeon, Clayton BowmanSeven Poems of Robert Bridges, Op. 17: No. 1, I Praise the Tender FlowerGerald Finzi, Robert Bridges, Vodeon, Clayton BowmanB Minor110A83 BPM
Music, When Soft Voices Die by Hubert Parry, Rodolfus Choir, Ralph AllwoodMusic, When Soft Voices DieHubert Parry, Rodolfus Choir, Ralph AllwoodE Major112B87 BPM
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied by Robert Schumann, Aquarius, Marc Michael de SmetRomanzen, Book 2, Op. 91: No. 5. Der Bleicherin NachtliedRobert Schumann, Aquarius, Marc Michael de SmetG Minor06A75 BPM
People, Look East by Harry Bramma, Choir Of All Saints Margaret Street London, Henry Parkes, Paul BroughPeople, Look EastHarry Bramma, Choir Of All Saints Margaret Street London, Henry Parkes, Paul BroughE♭ Major15B132 BPM
Rejoice in the Lamb, Op. 30: VIII. For H is a spirit and therefore he is God by Benjamin Britten, Finzi Singers, Paul Spicer, Carys Lane, Richard Wyn Roberts, James Gilchrist, Matthew Brook, Simon Preece, Andrew LumsdenRejoice in the Lamb, Op. 30: VIII. For H is a spirit and therefore he is GodBenjamin Britten, Finzi Singers, Paul Spicer, Carys Lane, Richard Wyn Roberts, James Gilchrist, Matthew Brook, Simon Preece, Andrew LumsdenF Minor04A85 BPM
ISRC
GBLWD9105411
Label
L-M Records/RCA Records

Section: 0.6438212394714355

End: 0.6519417762756348