"Ecce quomodo moritur justus" by Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung was released on April 1, 2015. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sächsisches Vocalensemble, Matthias Jung, Carl Heinrich Graun, Christian Friedrich Penzel, Christoph Ludwig Fehre, Gottfried August Homilius, Gottlob Harrer, Jacobus Gallus, Johann Adam Hiller, Johann Gottfried Weiske, Johann Heinrich Rolle, Theodor Christlieb Reinhold's "Motetten der Hiller-Sammlung" album is number 17 out of 17. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Ecce quomodo moritur justus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ecce quomodo moritur justus by Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | G Minor | 1 | 6A | 134 BPM | ||
For lo, I raise up, Op. 145 | Charles Villiers Stanford, Oliver Albert, Sophia Halberstam, Queens' College Choir, Cambridge, Silas Wollston | D♭ Major | 2 | 3B | 170 BPM | ||
Tu es Petrus | Robert Lucas Pearsall, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E♭ Major | 1 | 5B | 137 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Vier Lieder aus dem Jungbrunnen, Op. 44: II. Die Berge sind spitz | Johannes Brahms, Paul Heyse, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | C Minor | 0 | 5A | 95 BPM | ||
Dypt heller året | Paul Hellmuth, Carl Nielsen, Caspar Johannes Boye, Uranienborg Vokalensemble, Elisabeth Holte | A♭ Major | 0 | 4B | 87 BPM | ||
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
The Mass: Benedictus | Patrick Cassidy, Laude, David Harris, Christoph Bull | E♭ Major | 2 | 5B | 101 BPM | ||
The Benediction | Laestadian Lutheran Church, Viena Kontkanen | E Major | 1 | 12B | 87 BPM | ||
Dresden Requiem, RMWV 10 / Dies irae: IVg. Dies irae I | Rudolf Mauersberger, Dresdner Philharmonie, Dresdner Kreuzchor, Matthias Jung | D Minor | 2 | 7A | 79 BPM |
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