"Vier Lieder aus dem Jungbrunnen, Op. 44: II. Die Berge sind spitz" by Johannes Brahms, Paul Heyse, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg was released on November 11, 2013. With Vier Lieder aus dem Jungbrunnen, Op. 44: II. Die Berge sind spitz being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 21 in Brahms by Johannes Brahms, Marit Tøndel Bodsberg Weyde, Kvindelige Studenters Sangforening. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. In terms of popularity, Vier Lieder aus dem Jungbrunnen, Op. 44: II. Die Berge sind spitz is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vier Lieder aus dem Jungbrunnen, Op. 44: II. Die Berge sind spitz by Johannes Brahms, Paul Heyse, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Speak to My Heart | Jakarta Oratorio Society | E Major | 5 | 12B | 132 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 15, Receive Me, My Redeemer [Arr. for Choir] | Johann Sebastian Bach, The Bach Choir, David Hill | D Major | 2 | 10B | 88 BPM | ||
Weltliche A-Cappella-Gesänge, Secular A-Cappella Choral Works Op. 42: 1. Abenständchen | Chamber Choir Of Europe, Jürgen Meier, Johannes Brahms, Reinhard Geller, Nicol Matt | G Major | 2 | 9B | 81 BPM | ||
God Be in my Head | Henry Walford Davies, Salisbury Cathedral Choir, Simon Lole | A Major | 2 | 11B | 78 BPM | ||
The Day Thou Gavest Lord Is Ended | BBC Radio 4 Daily Service Singers | G Major | 1 | 9B | 91 BPM | ||
Best Room | Nicolas Fayolle | B♭ Major | 1 | 6B | 85 BPM | ||
Regina cæli | Jean Langlais, Maîtrise de la Cathédrale de Strasbourg | F Major | 0 | 7B | 128 BPM | ||
St. Matthew Passion, BWV 244: No. 72. Chorale: Wenn ich einmal soll scheiden | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | E♭ Major | 1 | 5B | 99 BPM | ||
Nordheim: Music to Two Fragments by Shelley (1985): Silver Key | Arne Nordheim, Percy Bysshe Shelley, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | F Minor | 0 | 4A | 77 BPM | ||
Songs of Love: III. I Sing Because | Will Todd, Christopher Finch, Wellensian Consort, Will Todd Ensemble | E Minor | 3 | 9A | 144 BPM |
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