"27 2- and 3- Part Choruses, BB 111, Vol. 7: No. 1. Banat (Regret)" by Béla Bartók, Schola Hungarica, László Dobszay was released on July 15, 2014. With 27 2- and 3- Part Choruses, BB 111, Vol. 7: No. 1. Banat (Regret) being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 27 in Bartok: 27 2- and 3- Part Choruses by Béla Bartók, Schola Hungarica, László Dobszay. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. 27 2- and 3- Part Choruses, BB 111, Vol. 7: No. 1. Banat (Regret) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 27 2- and 3- Part Choruses, BB 111, Vol. 7: No. 1. Banat (Regret) by Béla Bartók, Schola Hungarica, László Dobszay is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
O mater sempter alma | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | D Minor | 0 | 7A | 79 BPM | ||
An das Meer | Max Reger, Otto Franz Gensichen, Lunds Studentsångare, Christian Schultze | E Major | 1 | 12B | 69 BPM | ||
Vårsång | Wilhelm Peterson-Berger, Mats Nilssons Vokalensemble, Mats Nilsson | C Major | 0 | 8B | 108 BPM | ||
Dypt heller året | Paul Hellmuth, Carl Nielsen, Caspar Johannes Boye, Uranienborg Vokalensemble, Elisabeth Holte | A♭ Major | 0 | 4B | 87 BPM | ||
I Truly Lack for Nothing | Laestadian Lutheran Church, Liisa Keranen | E Minor | 1 | 9A | 88 BPM | ||
O Lord, Grant the King a Long Life | Thomas Weelkes, The Choir Of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, Choristers from Truro Cathedral Choir, Choristers from Chapel Choir of Methodist College Belfast, Octet from the Monteverdi Choir, Andrew Nethsingha | E♭ Major | 1 | 5B | 85 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | ||
アンティグア・バーブーダ 麗しきアンティグア、我ら汝に敬礼せん | Walter Garnet Picart Chambers, Kazuki Yamada, 東京混声合唱団, 斎木ユリ | B♭ Major | 4 | 6B | 78 BPM | ||
Alleluia! Sing to Jesus! SHZ 340 | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen, Aamos Anderson, Aabel Anderson | F Major | 2 | 7B | 82 BPM |
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