"Passion Week, Op. 58: II. I See Thy Bridal Chamber" by Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor was released on March 1, 2007. The duration of Passion Week, Op. 58: II. I See Thy Bridal Chamber is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Passion Week, Op. 58: II. I See Thy Bridal Chamber's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor's "Grechaninov: Passion Week" album is number 2 out of 13. Passion Week, Op. 58: II. I See Thy Bridal Chamber is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Passion Week, Op. 58: II. I See Thy Bridal Chamber by Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
6 Motets, Op. 79: IV. In der Passionszeit | Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 86 BPM | ||
Missa Rigensis: I. Kyrie | Ugis Praulins, Singknaben der St. Ursenkathedrale Solothurn, Tobias Stückelberger | D♭ Major | 2 | 3B | 134 BPM | ||
P. Chesnokov, Open to Me the Doors of Repentance, Op. 21a, No. 2 (Покаяния отверзи ми двери) | Pavel Chesnokov, St.Petersburg Chamber Choir, Nikolai Korniev | E Minor | 1 | 9A | 83 BPM | ||
The Lord's Prayer | Alexander Gretchaninov, Alexander Korotsky, Ludmila Arshavskaya, Priest Father Alexei Godunov, Cantus Sacred Music Ensemble | G Minor | 1 | 6A | 65 BPM | ||
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Passion Week, Op. 58: VI. Now the Powers of Heaven | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | C Major | 0 | 8B | 67 BPM | ||
6 Motets, Op. 79: VI. Am Karfreitag | Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 86 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: No. 5. John Anderson | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 100 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: Prologue en deux parties | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM |
Section: 0.7401058673858643
End: 0.7514874935150146