"アンティグア・バーブーダ 麗しきアンティグア、我ら汝に敬礼せん" by Walter Garnet Picart Chambers, Kazuki Yamada, 東京混声合唱団, 斎木ユリ was released on November 25, 2020. With アンティグア・バーブーダ 麗しきアンティグア、我ら汝に敬礼せん being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 山田和樹アンセム・プロジェクト 世界の国歌1 島々のうた, so we believe that "アンティグア・バーブーダ 麗しきアンティグア、我ら汝に敬礼せん" is a single. アンティグア・バーブーダ 麗しきアンティグア、我ら汝に敬礼せん is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of アンティグア・バーブーダ 麗しきアンティグア、我ら汝に敬礼せん by Walter Garnet Picart Chambers, Kazuki Yamada, 東京混声合唱団, 斎木ユリ is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Sombrero de tres picos, Pt. 1: No. 4, Las uvas | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande | D Major | 1 | 10B | 129 BPM | ||
Redeemer, God and Lord SHZ 280 | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen | F Major | 2 | 7B | 82 BPM | ||
The Armed Man (Ensemble Version): VI. Hymn Before Action | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | G Major | 2 | 9B | 127 BPM | ||
St. Matthew Passion, BWV 244: No. 72. Chorale: Wenn ich einmal soll scheiden | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | E♭ Major | 1 | 5B | 99 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Denis Kozhukhin, Orchestre de la Suisse Romande, Kazuki Yamada | E Major | 0 | 12B | 74 BPM | ||
Thou Art All Things | Margaret Rizza, Kevin Mayhew Ltd | G Minor | 0 | 6A | 79 BPM | ||
My God, How Endless | Lyle Stutzman, Tapestry Chamber Singers | A Minor | 2 | 8A | 95 BPM | ||
桜井の訣別 | 安西愛子, 東京混声合唱団 | B Major | 2 | 1B | 84 BPM | ||
Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Florian Störtz, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | G Minor | 1 | 6A | 75 BPM | ||
Rejoice in the Lamb, Op. 30: II. Let Nimrod, the mighty hunter | Benjamin Britten, Finzi Singers, Paul Spicer, Carys Lane, Richard Wyn Roberts, James Gilchrist, Matthew Brook, Simon Preece, Andrew Lumsden | B Minor | 1 | 10A | 168 BPM |
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