"Stabat Mater: O quam tristis et afflicta" by Zuzanna Koziej, Agnieszka Frankow-Zelazny, NFM Choir was released on March 17, 2023. The duration of Stabat Mater: O quam tristis et afflicta is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Stabat Mater: O quam tristis et afflicta's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Zuzanna Koziej, Agnieszka Frankow-Zelazny, Aleksandra Turalska, NFM Choir, N-Harmony Chamber Orchestra's "Music of Trust" album is number 8 out of 21. On top of that, Poland appears to be the country where this track was created. The popularity of Stabat Mater: O quam tristis et afflicta is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stabat Mater: O quam tristis et afflicta by Zuzanna Koziej, Agnieszka Frankow-Zelazny, NFM Choir to be Presto (very, very fast) because the track has a tempo of 200 BPM, a half-time of 100BPM, and a double-time of 400 BPM. The time signature for this track is 4/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): V. Quoniam tu solus sanctus | Philip Stopford, Grace Davidson, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | ||
Australian Up-Country Song | Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox | E♭ Major | 0 | 5B | 77 BPM | ||
Angelic Symphony | LeoRoads | A Minor | 1 | 8A | 93 BPM | ||
Vexilla regis | Anton Bruckner, Vienna Chamber Choir, Michael Grohotolsky | D Minor | 3 | 7A | 134 BPM | ||
Crucero Day's | Crucero Vibes | B♭ Major | 0 | 6B | 133 BPM | ||
Sheppard: Missa Cantate - 2e. Qui propter nos homines | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 95 BPM | ||
An Easter Sequence | Kenneth Leighton, Salisbury Cathedral Boys & Girls Choir, David Halls, Simon Lole | G Major | 2 | 9B | 85 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: He sent a thick darkness over all the land (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM |
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