Thomas Arne, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood made ""Where The Bee Sucks"" available on January 1, 1980. The duration of "Where The Bee Sucks" is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. "Where The Bee Sucks"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Emma Kirkby, Academy of Ancient Music, Christopher Hogwood's "Handel & Arne Arias" album is number 15 out of 15. On top of that, United Kingdom appears to be the country where this track was created. "Where The Bee Sucks" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of "Where The Bee Sucks" by Thomas Arne, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wachet auf, ruft uns die Stimme BWV 140: Chorale: Wachet auf, ruft uns die Stimme | Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Chior, Sandrine Piau, Johannette Zomer, Caroline Stam | A♭ Major | 1 | 4B | 172 BPM | ||
Concerto a 5 in D minor, Op.9, No.2 for Oboe, Strings, and Continuo: 1. Allegro e non presto | Tomaso Albinoni, Frank de Bruine, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 79 BPM | ||
The King shall rejoice: The King shall rejoice | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen Cleobury | D♭ Major | 2 | 3B | 114 BPM | ||
Porpora: Mitridate: La gioia ch'io sento | Colley Cibber, Philippe Jaroussky, Cecilia Bartoli, Andrea Marcon, Venice Baroque Orchestra | A♭ Major | 2 | 4B | 86 BPM | ||
Madrigali guerrieri: No. 1, Sonnet by an Anonymous "Altri canti d'Amor, tenero arciero" | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | G Major | 1 | 9B | 123 BPM | ||
Paulus: I. Teil: Nr. 1 Chor "Herr, der du bist der Gott" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | D♭ Major | 3 | 3B | 112 BPM | ||
Water Music Suite No.1 in F, HWV 348: 11. Alla Hornpipe | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 111 BPM | ||
L'Orfeo / Act III: "Possente spirto" | Claudio Monteverdi, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 74 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1: No. 24. Und er kam zu seinen Jüngern | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, James Gilchrist, Matthew Rose | A♭ Minor | 1 | 1A | 67 BPM | ||
The Indian Queen: I attempt from love's sickness | Henry Purcell, Alfred Deller, William Christie, Wieland Kuijken | D Major | 1 | 10B | 72 BPM |
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