Claudio Monteverdi, New London Consort, Philip Pickett made "L'Orfeo - Act 1: Lasciate i monti" available on January 1, 1992. The duration of L'Orfeo - Act 1: Lasciate i monti is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. L'Orfeo - Act 1: Lasciate i monti's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, John Mark Ainsley, Catherine Bott, New London Consort, Philip Pickett's "Monteverdi: L'Orfeo" album is number 5 out of 36. In terms of popularity, L'Orfeo - Act 1: Lasciate i monti is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of L'Orfeo - Act 1: Lasciate i monti by Claudio Monteverdi, New London Consort, Philip Pickett to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Now Is the Month of Maying: Now Is the Month of Maying | Thomas Morley, Laudantes Consort, Guy Janssens | G Major | 2 | 9B | 111 BPM | ||
Flute Concerto In G Minor, Op.10, No.2, RV439 - "La notte": 6. Allegro | Antonio Vivaldi, Philip Pickett, New London Consort | F♯ Minor | 2 | 11A | 127 BPM | ||
Canzonette a tre voci, SV 1-21: I. Qual si può dir, SV 1 | Claudio Monteverdi, Franco Radicchia, Armoniosoincanto | F♯ Minor | 2 | 11A | 140 BPM | ||
Concerto for Treble Recorder, Strings and Continuo in C: 4. Tempo di Minuet | Georg Philipp Telemann, New London Consort, Philip Pickett | F♯ Major | 1 | 2B | 131 BPM | ||
Gira il nemico insidioso Amore | Claudio Monteverdi, La Venexiana | A Minor | 1 | 8A | 116 BPM | ||
Dido and Aeneas / Act 2: "Oft she visits...Behold, upon my bending spear" | Henry Purcell, Elizabeth Gale, Thomas Allen, Jessye Norman, Marie McLaughlin, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 110 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 2. Adagio | Johann Sebastian Bach, New London Consort, Philip Pickett | D♭ Minor | 1 | 12A | 76 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
Allegri: Miserere - 11. Tunc Acceptabis | The Tallis Scholars, Peter Phillips | G Minor | 0 | 6A | 89 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM |
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