Claudio Monteverdi, New London Consort, Philip Pickett made "L'Orfeo - Act 1: Lasciate i monti" available on January 1, 1992. The duration of L'Orfeo - Act 1: Lasciate i monti is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. L'Orfeo - Act 1: Lasciate i monti's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, John Mark Ainsley, Catherine Bott, New London Consort, Philip Pickett's "Monteverdi: L'Orfeo" album is number 5 out of 36. In terms of popularity, L'Orfeo - Act 1: Lasciate i monti is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of L'Orfeo - Act 1: Lasciate i monti by Claudio Monteverdi, New London Consort, Philip Pickett to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespers of 1610: Pulchra es | Claudio Monteverdi, Grace Davidson, Charlotte Mobs, Harry Christophers, The Sixteen | G Major | 0 | 9B | 87 BPM | ||
St. John Passion, BWV 245: Part I: Chorale: Wer hat dich so geschlagen (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 1 | 4B | 174 BPM | ||
Christ lag in Todesbanden, BWV 4 | Johann Sebastian Bach, Tenebrae, Nigel Short | D Minor | 1 | 7A | 107 BPM | ||
Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | ||
Mass in B Minor, BWV 232: Benedictus: Benedictus qui venit (Tenor) | Johann Sebastian Bach, Gerd Türk, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | F♯ Major | 1 | 2B | 171 BPM | ||
Madrigals, Book 5, SV 94–106: Cruda amarilli, SV 94 | Claudio Monteverdi, Krijn Koetsveld, Il Nuove Musiche | C Major | 1 | 8B | 68 BPM | ||
Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin | Claude Debussy, Nicola Jenkin, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 0 | 11A | 85 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
Concerto à 4 No. 1 in G Minor: III. Allegro | Baldassare Galuppi, Aglaia Ensemble | B Minor | 1 | 10A | 84 BPM |
Section: 0.6185379028320312
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