Johann Sebastian Bach, Tenebrae, Nigel Short's 'Christ lag in Todesbanden, BWV 4' came out on November 5, 2012. With Christ lag in Todesbanden, BWV 4 being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 16 in Fauré: Requiem by Nigel Short, Tenebrae, London Symphony Orchestra Chamber Ensemble, William Gaunt, Gordan Nikolitch, Grace Davidson. In terms of popularity, Christ lag in Todesbanden, BWV 4 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach, Tenebrae, Nigel Short is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In exitu Israel, RV 604 | Antonio Vivaldi, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D Major | 7 | 10B | 126 BPM | ||
Dixit Dominus, ZWV 66: Dixit Dominus - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Major | 3 | 2B | 115 BPM | ||
An Irish Blessing | Alexander L'Estrange, Tenebrae, James Sherlock, Nigel Short | C Major | 0 | 8B | 74 BPM | ||
Cantate, BWV 80: Das Wort sie sollen lassen stahn | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | D♭ Major | 1 | 3B | 114 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | E Minor | 0 | 9A | 73 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 1. Sinfonia | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Nico Van Der Meel, Ruth Holton, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
The Spheres | Ola Gjeilo, Tenebrae, The Chamber Orchestra Of London | C Minor | 1 | 5A | 79 BPM | ||
Lamentations Ieremiae Prophetae: Novi diluculo | Alonso Lobo, Tenebrae, Nigel Short | B Minor | 1 | 10A | 123 BPM | ||
Geistliche Chormusik, Op. 11: 4. Verleih uns Frieden genädiglich, SWV 372 | Heinrich Schütz, Frauke Hess, Ludger Rémy, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann | A♭ Minor | 1 | 1A | 75 BPM | ||
German Requiem, Op. 45: Selig sind, die da Leid tragen | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM |
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