"Geistliche Chormusik, Op. 11: 4. Verleih uns Frieden genädiglich, SWV 372" by Heinrich Schütz, Frauke Hess, Ludger Rémy, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann was released on September 1, 2007. The duration of Geistliche Chormusik, Op. 11: 4. Verleih uns Frieden genädiglich, SWV 372 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Geistliche Chormusik, Op. 11: 4. Verleih uns Frieden genädiglich, SWV 372's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Heinrich Schütz, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann's "Heinrich Schütz: Geistliche Chor-Music 1648 (Complete Recording Vol. 1)" album is number 4 out of 29. Geistliche Chormusik, Op. 11: 4. Verleih uns Frieden genädiglich, SWV 372 is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geistliche Chormusik, Op. 11: 4. Verleih uns Frieden genädiglich, SWV 372 by Heinrich Schütz, Frauke Hess, Ludger Rémy, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: III. Domine Jesu Christe (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | D Major | 1 | 10B | 137 BPM | ||
Halt, was du hast | Johann Michael Bach, Vox Luminis, Lionel Meunier | E Minor | 1 | 9A | 88 BPM | ||
Psalmen Davids, Op. 2: No. 8, Wie lieblich sind deine Wohnungen, SWV 29 "Psalm 84" | Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, David Erler, Georg Poplutz, Tobias Mathger, Felix Rumpf, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | G Major | 1 | 9B | 79 BPM | ||
O vos omnes | Carlo Gesualdo, The Cambridge Singers, John Rutter | G Minor | 1 | 6A | 82 BPM | ||
Innsbruck, ich muß dich lassen | Heinrich Isaac, Amarcord | D Minor | 1 | 7A | 75 BPM | ||
Ach Elslein, liebes Elselein mein | Ludwig Senfl, Amarcord | B Major | 3 | 1B | 111 BPM | ||
Herr, auf dich traue ich, SWV 377 | Heinrich Schütz, Dresdner Kammerchor, Hans-Christoph Rademann | B♭ Major | 1 | 6B | 75 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax sincera | Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon | E Major | 1 | 12B | 69 BPM | ||
Brahms : 7 Lieder Op.62 : III Waldesnacht | Johannes Brahms, Arnold Schoenberg Chor | D Minor | 2 | 7A | 76 BPM | ||
Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM |
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