German Requiem, Op. 45: Selig sind, die da Leid tragen - Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus Information

Acousticness: 98%
Danceability: 13%
Energy: 3%
Instrumentalness: 74%
Liveness: 13%
Loudness: 51%
Speechiness: 4%
Valence: 6%
Popularity: 20%
Loudness: -29.609 dB

Summary

"German Requiem, Op. 45: Selig sind, die da Leid tragen" by Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus had its release date on April 29, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 7 in Brahms: German Requiem, Op. 45 by Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, German Requiem, Op. 45: Selig sind, die da Leid tragen is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

German Requiem, Op. 45: Selig sind, die da Leid tragen BPM

The tempo marking of German Requiem, Op. 45: Selig sind, die da Leid tragen by Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

German Requiem, Op. 45: Selig sind, die da Leid tragen Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Wreckers: Overture	Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra	C Major	8	8B	176 BPM
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza	Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg	D Minor	1	7A	89 BPM
Violin Concerto In D Major, Op. 35: I. Moderato nobile	Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn	A♭ Major	1	4B	177 BPM
Requiem, Op. 48: VI. Agnus Dei	Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard	F Major	3	7B	128 BPM
Requiem, Op. 48, N. 97: Offertoire (Ed. Marc Rigaudière)	Gabriel Fauré, Orchestra of the Age of Enlightenment, Stephen Cleobury, Gerald Finley, Ensemble of King's College, Cambridge	A♭ Major	0	4B	76 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	A♭ Major	1	4B	149 BPM
Nien, Geliebter, Setze Dich	Georg Friedrich Daumer, Johannes Brahms, One Voice Mixed Chorus, Jane Ramseyer Miller	E Major	0	12B	86 BPM
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea	Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli	C Major	1	8B	86 BPM
Ruslan and Lyudmila / Act 1: Overture	Mikhail Glinka, Mariinsky Orchestra, Valery Gergiev	D Major	1	10B	89 BPM
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen	Richard Strauss, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano	D♭ Major	1	3B	92 BPM

ISRC: GBDGQ1324801
Label: L-M Records/RCA Records