Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen
Richard Strauss, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano
Strauss: Four Last Songs; Final Scenes
5:14 April 2, 2007
BPM
92
Key
D♭ Major
Camelot
3B

Embed

Share Link

Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen - Richard Strauss, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano Information

Acousticness
96%
Danceability
14%
Energy
9%
Instrumentalness
20%
Liveness
10%
Loudness
68%
Speechiness
4%
Valence
3%
Popularity
Loudness
-19.397 dB

Summary

"Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen" by Richard Strauss, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano was released on April 2, 2007. With this song being about 5 minutes long, at 5:14, "Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen" by Richard Strauss, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Strauss: Four Last Songs; Final Scenes". In this album, this song's track order is #6. In terms of popularity, Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen BPM

With Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen by Richard Strauss, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
12 Songs, Op. 21: 7. Zdes' khorosho by Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister12 Songs, Op. 21: 7. Zdes' khoroshoSergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius MeisterB♭ Major26B130 BPM
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 by Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick SummersI Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick SummersE♭ Major05B79 BPM
Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiPergolesi: Stabat mater: VIII. Fac ut ardeat cor meumGiovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiF♯ Minor311A71 BPM
4 Lieder, Op. 27: 2. Cäcilie by Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur4 Lieder, Op. 27: 2. CäcilieRichard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt MasurE♭ Minor32A97 BPM
Lucia di Lammermoor / Act 1: Lucia di Lammermoor / Act 1: "Ancor non giunse!"Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeD Major010B80 BPM
Abendempfindung, K.523 by Wolfgang Amadeus Mozart, Irmgard Seefried, Erik WerbaAbendempfindung, K.523Wolfgang Amadeus Mozart, Irmgard Seefried, Erik WerbaF Major17B110 BPM
Tannhäuser, WWV 70 / Act 3: Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!"Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka SalonenF♯ Major12B177 BPM
Giordano: Fedora, Act 2: Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris)Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper BerlinF Major17B115 BPM
Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) by Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De ToulouseCarmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès)Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De ToulouseC Major28B137 BPM
Die Meistersinger von Nürnberg, WWV 96 / Act 3: Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne"Richard Wagner, Catarina Ligendza, Christa Ludwig, Plácido Domingo, Horst Laubenthal, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen JochumF♯ Minor211A75 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6659913063049316

End: 0.6709885597229004