4 Lieder, Op. 27: 2. Cäcilie - Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur Information

Acousticness: 98%
Danceability: 34%
Energy: 30%
Instrumentalness: 14%
Liveness: 23%
Loudness: 74%
Speechiness: 4%
Valence: 16%
Popularity: 11%
Loudness: -15.453 dB

Summary

"4 Lieder, Op. 27: 2. Cäcilie" by Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur was released on January 1, 1983. The duration of 4 Lieder, Op. 27: 2. Cäcilie is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. 4 Lieder, Op. 27: 2. Cäcilie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Strauss, R.: Four Last Songs, etc.". In this album, this song's track order is #5. In terms of popularity, 4 Lieder, Op. 27: 2. Cäcilie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

4 Lieder, Op. 27: 2. Cäcilie BPM

With 4 Lieder, Op. 27: 2. Cäcilie by Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

4 Lieder, Op. 27: 2. Cäcilie Key

This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Bizet: Chanson d'avril	Georges Bizet, Susan Graham, Malcolm Martineau	F Major	1	7B	94 BPM
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra)	Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra	G Major	1	9B	75 BPM
Piano Sonata, Op. 5, TrV 103: III. Scherzo. Presto. Un poco piu lento	Richard Strauss, Guillaume Bellom	G Minor	0	6A	68 BPM
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus]	Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles	D Major	1	10B	81 BPM
Messa da Requiem: 1. Requiem	Giuseppe Verdi, Anne Sofie von Otter, Luba Orgonasova, Luca Canonici, Alastair Miles, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner	D Minor	2	7A	81 BPM
Matthäus-Passion, BWV 244, Pt. 2: No. 46, Chorale. "Wie wunderbarlich ist doch diese Strafe!" (Chorus)	Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger	A♭ Major	1	4B	74 BPM
Debussy: Fêtes galantes, Livre I, CD 86, L. 80: III. Clair de lune	Claude Debussy, Véronique Gens, Roger Vignoles	E♭ Minor	1	2A	123 BPM
Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit	Richard Strauss, Sabine Devieilhe, Mathieu Pordoy	G Minor	0	6A	82 BPM
Elgar: Sea Pictures, Op. 37: V. The Swimmer, "With short, sharp violent lights" (Allegro molto)	Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli	G Major	2	9B	102 BPM
Stabat Mater: 3. O quam tristis	Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson	G Minor	1	6A	80 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8052012920379639

End: 0.8086204528808594