Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti's 'Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum' came out on October 28, 2013. The duration of Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Pergolesi: Stabat Mater, Laudate pueri & Confitebor". In this album, this song's track order is #8. Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cara Sposa - Live | Philippe Jaroussky, Ensemble Contraste | E Minor | 4 | 9A | 56 BPM | ||
Requiem in D Minor, Op. 48: Introït et Kyrie | Gabriel Fauré, Tenebrae, LSO Chamber Ensemble, Nigel Short | B♭ Major | 0 | 6B | 77 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Stabat Mater: Cuius animam gementem…. O quam tristis | Agostino Steffani, Coro della Radiotelevisione Svizzera, Cecilia Bartoli, Franco Fagioli, Daniel Behle, I Barocchisti, Diego Fasolis | D Minor | 3 | 7A | 90 BPM | ||
St. John Passion, BWV 245: Part I: Aria: Ich folge dir gleichfalls (Soprano) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 0 | 11A | 99 BPM | ||
Anonymous / Foggia: O quam clemens et pia, a 2 | Anonymus, Francesco Foggia, Philippe Jaroussky, Jean Tubéry | D Minor | 0 | 7A | 69 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Vivaldi: Clarae stellae, scintillate, RV 625: "Clarae stellae, scintillate" | Antonio Vivaldi, Philippe Jaroussky, Ensemble Artaserse | B♭ Major | 0 | 6B | 76 BPM |
Section: 0.688021183013916
End: 0.69252610206604