"Eia Mater: Andantino" by Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo was released on November 12, 2002. The duration of Eia Mater: Andantino is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Eia Mater: Andantino's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 22 in Contralto by Sara Mingardo, Concerto Italiano. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Eia Mater: Andantino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eia Mater: Andantino by Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo is Larghissimo, since this song has a tempo of 0 BPM. With that information, we can conclude that the song has a slow tempo.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Stabat Mater: No. 17, Fac me cruce custodiri. Largo (Alto Solo) | Alessandro Scarlatti, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | B Minor | 0 | 10A | 85 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | ||
Il primo libro de' madrigali: Amor, per tua mercé, vattene a quella | Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano | E Minor | 0 | 9A | 78 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Trois chansons, M.69: 2. Trois beaux oiseaux du Paradis | Maurice Ravel, Nicola Jenkin, Susan Gritton, Nicolas Robertson, Julian Clarkson, The Monteverdi Choir, John Eliot Gardiner | F Minor | 0 | 4A | 83 BPM | ||
Poème de Paul Verlaine: L'heure exquise | Reynaldo Hahn, Marie-Nicole Lemieux | B Major | 0 | 1B | 94 BPM |
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