William Boyce, Aradia Ensemble, Kevin Mallon made "Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro" available on May 1, 2005. With Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 23 in Boyce: Symphonies Nos. 1-8, Op. 2 by William Boyce. The popularity of Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro by William Boyce, Aradia Ensemble, Kevin Mallon is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 131 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Overture in F Major, Op. 8, No. 3: III. Vivace | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | F Major | 1 | 7B | 168 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 2 | 8B | 91 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | ||
12 Sonatas of III parts Z790-801: Sonata No. 1 in G minor Z790 | Henry Purcell, Pavlo Besnosiuk, Rachel Podger, Christophe Coin, Christopher Hogwood | F♯ Minor | 1 | 11A | 137 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM |
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