"Musiche sacre: No. 23, Canzon à 3" by Francesco Cavalli, London Baroque was released on November 6, 2012. Musiche sacre: No. 23, Canzon à 3 is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. There are a total of 16 in the song's album "The Trio Sonata in 17th-Century Italy". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Musiche sacre: No. 23, Canzon à 3's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Musiche sacre: No. 23, Canzon à 3 by Francesco Cavalli, London Baroque having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro | Francesco Geminiani, Concerto Köln | E♭ Minor | 1 | 2A | 129 BPM | ||
Pieces de clavessin: Suite No. 2 in D Major: IV. Gavotte en Rondeau | Gaspard Le Roux, London Baroque | D♭ Major | 1 | 3B | 40 BPM | ||
Concerto-Pasticcio in C Major: I. Largo | George Frideric Handel, Klaipėda Chamber Orchestra, Andrius Puskunigis, Vincent Bernhardt, Mindaugas Bačkus | G Major | 0 | 9B | 67 BPM | ||
Pastoreta Ypeché Flauta: II. Allegro | Anonymous, Florilegium | B Major | 1 | 1B | 108 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Sonata sesta for violino solo: VI. Allegro [2] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 93 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Ground in G Minor [17th Century, discovered at Bodleian Library by Elizabeth Hirst] | John Blow, London Baroque | F♯ Minor | 2 | 11A | 119 BPM | ||
Cavalli/ Arr Pluhar: La Calisto, Act 1: "Ninfa bella" | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | E Minor | 2 | 9A | 108 BPM | ||
Trio Sonata in G Minor, Op. 6 No. 7: III. Giga. Presto | Francesco Antonio Bonporti, London Baroque | E Major | 1 | 12B | 106 BPM |
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