Anonymous, Florilegium made "Pastoreta Ypeché Flauta: II. Allegro" available on 2007. The duration of Pastoreta Ypeché Flauta: II. Allegro is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Pastoreta Ypeché Flauta: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 30 in Bolivian Baroque: Music from the Missions of Chiquitos and Moxos Indians by Florilegium, Bolivian Soloists. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Pastoreta Ypeché Flauta: II. Allegro is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Pastoreta Ypeché Flauta: II. Allegro by Anonymous, Florilegium is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
Bellamira / Greensleeves - After Solomon Eccles / After James Oswald | Anonymous, Les Musiciens De Saint-Julien, François Lazarevitch | F♯ Minor | 3 | 11A | 123 BPM | ||
Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | E♭ Minor | 1 | 2A | 136 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Ciaccona, Op. 2, No. 12 | Arcangelo Corelli, Musica Antiqua Latina | F♯ Major | 1 | 2B | 66 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Concerto I in Sol minore RV 157: Largo | Modo Antiquo, Federico Maria Sardelli | G Minor | 1 | 6A | 62 BPM | ||
In hoc mundo: V. Aria, "Tunc lectus organis" | Domenico Zipoli, Florilegium, Henry Villca | F Minor | 1 | 4A | 121 BPM | ||
In hoc mundo: III. Aria, "In te spero" | Domenico Zipoli, Florilegium, Henry Villca | B♭ Minor | 1 | 3A | 111 BPM |
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