Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: II. Adagio - Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt Information

Acousticness: 94%
Danceability: 42%
Energy: 11%
Instrumentalness: 2%
Liveness: 9%
Loudness: 63%
Speechiness: 4%
Valence: 55%
Popularity: 25%
Loudness: -22.342 dB

Summary

Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt made "Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: II. Adagio" available on 2006. With Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: II. Adagio being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 24 in Albinoni: Oboe Concertos by Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: II. Adagio's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: II. Adagio BPM

The tempo marking of Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: II. Adagio by Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: II. Adagio Key

This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto for Strings in G Minor, RV 156: II. Adagio	Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini	B♭ Major	5	6B	124 BPM
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": II. Largo Andante	William Boyce, Aradia Ensemble, Kevin Mallon	E Major	0	12B	71 BPM
Concerto 6 in A Major, Op. 7: III. Giga allegro	Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen	A♭ Major	3	4B	123 BPM
Flute Sonata in E Minor: I. Grave	Frederick the Great, Berliner Barock Compagney	E♭ Minor	0	2A	83 BPM
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio	Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek	C Major	2	8B	141 BPM
Violin Concerto in E Major, D. 50: I. Allegro	Giuseppe Tartini, Ariadne Daskalakis, Cologne Chamber Orchestra, Helmut Muller-Bruhl	E Major	1	12B	78 BPM
Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave	Cologne Chamber Orchestra, Georg Philipp Telemann	G Major	3	9B	116 BPM
Flute Concerto No. 3 in C Major: III. Allegro assai	Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin	B Major	1	1B	129 BPM
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits	Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger	F Major	1	7B	67 BPM
Concerto for 2 Flutes in C Major, RV 533: II. Largo	Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer	G Major	2	9B	178 BPM

ISRC: NLY330606181
Label: L-M Records/RCA Records

Section: 0.6012234687805176

End: 0.6062667369842529