Gaspard Le Roux, London Baroque made "Pieces de clavessin: Suite No. 2 in D Major: IV. Gavotte en Rondeau" available on April 1, 2005. With Pieces de clavessin: Suite No. 2 in D Major: IV. Gavotte en Rondeau being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Trio Sonata In 17th-Century France". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Sweden. Pieces de clavessin: Suite No. 2 in D Major: IV. Gavotte en Rondeau is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Pieces de clavessin: Suite No. 2 in D Major: IV. Gavotte en Rondeau by Gaspard Le Roux, London Baroque having a BPM of 40 with a half-time of 20 BPM and a double-time of 80 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in C Major, Op. 1, No. 10: III. Largo - Andante | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | A Minor | 0 | 8A | 87 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Concerto for Strings in G Minor, RV 152: III. Allegro molto | Antonio Vivaldi, Arte dei Suonatori | D Major | 3 | 10B | 117 BPM | ||
Sei Concerti in sette parte per due violini e violoncello obligato, con in piu due violini, un tenore e basso continuo, Concerto grosso No. 6 in E major: IV. Affettuoso | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E♭ Major | 1 | 5B | 68 BPM | ||
Le temps: Air pour l'Este et ses Suivants | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 115 BPM | ||
Trio Sonata in G Minor, Op. 1, No. 1, RV 73: II. Allemanda | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | B Major | 3 | 1B | 131 BPM | ||
Sinfonia in C major: III. Allegrissimo | Domenico Scarlatti, Margret Köll/Europa Galante/Fabio Biondi, Europa Galante | F♯ Major | 3 | 2B | 77 BPM | ||
Dialogue pour le clavessin et les violes | Jean-Nicolas Geoffroy, London Baroque | E♭ Minor | 2 | 2A | 140 BPM | ||
Suite in D Major: III. Courante | Christopher Simpson, London Baroque | D♭ Major | 2 | 3B | 109 BPM | ||
Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM |
Section: 0.6399638652801514
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