Marin Marais, Mieneke van der Velden, Glen Wilson made "Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement" available on January 1, 2006. The duration of Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Mieneke van der Velden, Glen Wilson's "Marais: Pièces de viole" album is number 1 out of 22. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement by Marin Marais, Mieneke van der Velden, Glen Wilson to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 4 in G major, BWV 1049: II. Andante | Johann Sebastian Bach, Freiburger Barockorchester | D Minor | 0 | 7A | 135 BPM | ||
Alcione - 4Ème Suite - Airs Pour Les Matelots Et Les Tritons - 3Ème Air "Tambourin" Pour Les Mêmes | Jordi Savall, Marin Marais | G Minor | 3 | 6A | 121 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Concerto for 2 Mandolins in G Major for Strings and Continuo, RV 532: II. Andante | Antonio Vivaldi, L'Arte dell' Arco, Mauro Squillante, Davide Rebuffa, Federico Guglielmo | E Minor | 1 | 9A | 70 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Pastoreta Ypeché Flauta: II. Allegro | Anonymous, Florilegium | B Major | 1 | 1B | 108 BPM |
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