"Stabat Mater: Cuius animam gementem…. O quam tristis" by Agostino Steffani, Coro della Radiotelevisione Svizzera, Cecilia Bartoli, Franco Fagioli, Daniel Behle, I Barocchisti, Diego Fasolis had its release date on January 1, 2013. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Stabat Mater: Cuius animam gementem…. O quam tristis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Steffani: Stabat Mater". In this album, this song's track order is #2. In terms of popularity, Stabat Mater: Cuius animam gementem…. O quam tristis is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: Cuius animam gementem…. O quam tristis by Agostino Steffani, Coro della Radiotelevisione Svizzera, Cecilia Bartoli, Franco Fagioli, Daniel Behle, I Barocchisti, Diego Fasolis having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lumi, potete piangere | Giovanni Legrenzi, Christina Pluhar | G Minor | 0 | 6A | 86 BPM | ||
Gli orti esperidi: “Giusto Amor tu che m’accendi” | Nicola Porpora, Cecilia Bartoli, Sol Gabetta, Cappella Gabetta, Andrés Gabetta | D♭ Major | 2 | 3B | 103 BPM | ||
Griselda, RV 718 / Act 3: Dopo un' orrida procella | Antonio Vivaldi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | B♭ Major | 1 | 6B | 85 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 2 Scene 3: "Ei tornerà" | Vincenzo Bellini, Cecilia Bartoli, Liliana Nikiteanu, Orchestra La Scintilla, Giovanni Antonini | C Major | 1 | 8B | 142 BPM | ||
Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": II. Sit nomen Domini (Allegro) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | E♭ Minor | 1 | 2A | 121 BPM | ||
Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 102 BPM | ||
I Puritani / Act 2: O rendetemi la speme | Vincenzo Bellini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | C Major | 0 | 8B | 88 BPM | ||
"Bist du bei mir" (formerly attrib. J.S.Bach as BWV 508) | Gottfried Heinrich Stölzel, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | D Major | 0 | 10B | 102 BPM | ||
Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting | George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | D Major | 1 | 10B | 77 BPM |