Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari's 'Laudate pueri in G Major, RV 601 "Salmo 112": II. Sit nomen Domini (Allegro)' came out on January 1, 2005. The duration of Laudate pueri in G Major, RV 601 "Salmo 112": II. Sit nomen Domini (Allegro) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Laudate pueri in G Major, RV 601 "Salmo 112": II. Sit nomen Domini (Allegro)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: In furore, laudate pueri e concerti sacri by Antonio Vivaldi, Sandrine Piau, Stefano Montanari, Ottavio Dantone, Accademia Bizantina. The song's track number on the album is #8 out of 21 tracks. Based on our statistics, Laudate pueri in G Major, RV 601 "Salmo 112": II. Sit nomen Domini (Allegro)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Laudate pueri in G Major, RV 601 "Salmo 112": II. Sit nomen Domini (Allegro) by Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Laudate pueri in G Major, RV 601 "Salmo 112": II. Sit nomen Domini (Allegro) being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Sonata Da Chiesa No. 5 in G minor, Op.5: III. Adagio | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | F♯ Minor | 1 | 11A | 93 BPM | ||
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 91 BPM | ||
Stabat Mater: No. 6, Quis non posset contritari. Andantino (Alto Solo) | Alessandro Scarlatti, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | E Minor | 1 | 9A | 103 BPM | ||
In furore iustissimae irae, RV 626: III. Largo | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | F♯ Minor | 0 | 11A | 97 BPM | ||
Purcell : King Arthur : Act 1 "I call you all to Woden's Hall" [Tenor, Chorus] | William Christie | E♭ Major | 2 | 5B | 79 BPM | ||
Dolcissimi legami di parole amorose | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | D Minor | 1 | 7A | 79 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 84 BPM | ||
Heinichen: Alma Redemptoris Mater, S. 22: III. "Gabrielis ab ore" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 107 BPM | ||
Laudate Pueri: V. Sucitans a terra | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM |
Section: 0.5105786323547363
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