Stabat Mater: No. 6, Quis non posset contritari. Andantino (Alto Solo) - Alessandro Scarlatti, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini Information

Acousticness: 99%
Danceability: 34%
Energy: 6%
Instrumentalness: 2%
Liveness: 13%
Loudness: 61%
Speechiness: 5%
Valence: 22%
Popularity: 1%
Loudness: -23.212 dB

Summary

Alessandro Scarlatti, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini's 'Stabat Mater: No. 6, Quis non posset contritari. Andantino (Alto Solo)' came out on 2000. With Stabat Mater: No. 6, Quis non posset contritari. Andantino (Alto Solo) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Pergolesi and Scarlatti: Stabat Mater". In this album, this song's track order is #18. In terms of popularity, Stabat Mater: No. 6, Quis non posset contritari. Andantino (Alto Solo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater: No. 6, Quis non posset contritari. Andantino (Alto Solo) BPM

With Stabat Mater: No. 6, Quis non posset contritari. Andantino (Alto Solo) by Alessandro Scarlatti, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Stabat Mater: No. 6, Quis non posset contritari. Andantino (Alto Solo) Key

E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite in A Minor: V. La Piemontoise	Louis Couperin, Laurence Cummings	A♭ Minor	3	1A	71 BPM
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture	Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande	F♯ Minor	1	11A	106 BPM
Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto	Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso	D♭ Major	1	3B	106 BPM
Stabat Mater: I. Stabat Mater dolorosa	Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic	D♭ Major	1	3B	126 BPM
Cavalli / Arr Pluhar: La Calisto, Act 1: "Piante ombrose"	Francesco Cavalli, Christina Pluhar, L'Arpeggiata	C Major	1	8B	91 BPM
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro	Antonio Caldara, Claudio Ferrarini, Accademia Farnese	D Major	3	10B	123 BPM
Prima d’esservi infedele, H. 578: Aria. Quando sorge l’Aurora dal Gange	Alessandro Scarlatti, Valeria La Grotta, Quartetto Vanvitelli	D♭ Major	3	3B	95 BPM
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989)	Johann Sebastian Bach, Christoph Harer, La Festa Musicale	F♯ Minor	0	11A	89 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	1	8A	79 BPM
Canzona undecima a due canti "detta la plettenberger"	Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies	A Minor	1	8A	72 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6360821723937988

End: 0.6401233673095703